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writing

Selected Creative Nonfiction

"Braiding Shapes" at Hippocampus
"Flensing" at Bellingham Review

"Stigmata" at MAYDAY**
"Second Syntax" at Birdcoat Quarterly*
"Antlering" at The Chestnut Review*
"Relics" at The MacGuffin Review


*NOMINATED FOR BEST OF THE NET
** RUNNER UP FOR 2023 MAYDAY NONFICTION PRIZE

Criticism

"Somatic Syntax: Ban en Banlieue, Documentary Prose, and the Representation of Trauma" at Interlitteraria

"Pride, Pigeons
, and Pedagogy: How to Survive a Toxic Workshop" at Poets & Writers

Selected Poetry

"Failed Ghazal for Assisted Living" at Pleiades 
"Self-Portrai
t with MRI Machine" at Blue Earth Review
"Displaying the Wounds" and "He Tells Me He Wants" at Lammergeier Magazine
"Zuihitsu for Drying Flowers" at Cordite
"Laparoscopy, or a Half-Birth" at Rattle
"Nutmeat, or Thoughts During Cervical Biopsy" at Autofocus

"Possum Kingdom Reservoir" and "Redux II" at Yalobusha Review
"Cycle" at Juked Magazine
"Slaughterhouse 901" at Our Shared Memory
"The Fence C
utter" at At the Meadows
"The Bisho
p," "Between the Gunwales," and "Acultomantic Aging" at the Allegheny Review



 

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